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Bored? Just Edit a Classic and See What Happens

January 12, 2011 2 Comments

Huckleberry Finn on the MississippiIf you’re bored, craving attention, or just want to stir up a little trouble, try releasing a new edition of a classic. Preferably, make it something well-known and beloved, like Mark Twain’s Huckleberry Finn.

I’m sure that Twain scholar Alan Gribben expected a bit of controversy when he edited a new edition of Huck Finn that replaces the “n-word” with “slave,” and “Injun” with “Indian,” but even he may have been surprised by the outpouring of outrage.

I was first alerted to the controversy by shrieks of “censorship!” on Twitter. It was refreshing to see “#huckfinn” as a trending topic, possibly displacing a teeny-pop star or imploding politician. However, I had to mildly quibble with the use of the word “censorship” (see “Deciding How Peeved to Be Over New Huck Finn Edition“).

I’ve been following the discussion from various sources. One of the best articles I’ve read is by Miami Herald columnist Leonard Pitts, who provides several compelling reasons why it’s wrong to alter art in “Don’t Censor Mark Twain’s N-Word.” The article was accompanied in our local paper by an outstanding editorial cartoon by Pat Oliphant, one of my favorite graphic commentators.

Other good articles have been showing up, including a few from NAIWE writers. You might also enjoy these additional posts and editorial cartoons:

Literature professor Scott Andrews addresses the issue in two thoughtful posts, Goodbye, cruel word and The Other N-Word.

“Tom the Dancing Bug: Adventures of Huckleberry Finn (Corrected to reflect modern sensibilities)” offers an amusing look at what a truly sensitive version of Huck would sound like. Oddly (or perhaps not so), it sounds like a publication of the NEA.

In “Twain Redone,“ Brenda Seward talks about her reactions to Twain’s writing when she read it in elementary school (can you imagine elementary school students being expected to read either Finn or Sawyer now?), and shares her viewpoint on the change.

Linda Anger, NAIWE member and owner of The Write Concept, Inc., offers another perspective in “Altering the Classics.”

From NJ.com, an article discussing whether Twain might have expected controversy over his use of certain word, accompanied by three amusing editorial cartoons.

Mike Luckovich‘s cartoon on Mark Twain

If you’ve read an interesting article on the subject, or posted something, please feel free to post a comment below and share it. Altering the classics is nothing new, but it’s something that can easily get out of hand. People with good intentions bear watching!

“Half of the results of a good intentions are evil; half the results of an evil intention are good.”
Mark Twain
“The evil that is in the world almost always comes of ignorance, and good intentions may do as much harm as malevolence if they lack understanding.”
Albert Camus

Categories: Commentary, Reading, Words Tags: censor, classic, good intentions, huck, huckleberry finn, literature, mark twain, oliphant, tom the dancing bug

The World Writes a Book in 140-Character Snippets

August 20, 2009 6 Comments

Here’s an interesting project that will generate ample material for the next Bulwer-Lytton Fiction Contest. The World Writes a Book is a “Global Grass-roots Submit-ature Project,” also described as “The Ultimate Work-In-Progress.” Daily snippets of up to 140 characters each are selected and posted from audience submissions, with the noble aim of giving “everyone in the world the opportunity to find the fleeting [15 minutes of] fame that Andy Warhol predicted.”

Many, if not all, of the submissions received thus far are excellent candidates for the Bulwer-Lytton contest. I’m not sure what to call the visceral response to this sort of writing, but I think it must be similar to the reaction that attracts some people to television “reality” shows. It reminds me of the parlor game, MadLibs.

To get the full effect of this project, I suggest reading the work in progress aloud, preferably to a teenager. You may not get far before being stopped by hysterical laughter, but at least you’ll have their attention. Perhaps they’ll even decide to contribute a snippet or two.

Seriously, it will be interesting to see where this goes. It may even be a way to flex creative writing muscles at the close of day, though perhaps not before dinner. I don’t recommend doing anything like this in the morning–it will be a distraction from your Priority Project.

You may submit your snippets for consideration through a Twitter direct message to @TWWAB or from TheWorldWritesABook.com website. All work may be submitted anonymously, but you also have the option to link it to a user name so that you get credit for it on the Rankings page, which is a table of users with the number of snippets they’ve published.

Perhaps a copy of Strunk & White’s venerable guide, The Elements of Style, would be a good prize for this project. I was reminded of S&W’s pithy counsel as I read through some of the entries. Rules such as “the number of the subject determines the number of the verb” (Elementary Rule of Usage #9) have lost none of their validity with the passage of time or the change in media. This simple little manual would be a supremely fitting award (and I’d be happy to donate a copy to the cause).

Bulwer-Lytton must have been a charitable soul, for it’s reported that he said, “The true spirit of conversation consists in building on another man’s observation, not overturning it.” So build away, if you’re so inclined. You might even win the Strunk & White!

Categories: Commentary, Words, Writing

Words Can Be Visual Art

June 19, 2009 1 Comment

I came across Wordle, an interesting tool that can create a visual word cloud from a selection of words or a blog feed. I tried it on the feed from this blog, and came up with the following image:
http://www.naiwe.com

Images of Wordles are licensed Creative Commons License.

Categories: Inspiration, Words

Is Elitism At the Root of the Pronunciation War?

April 23, 2009 Post a comment

I just read an intriguing article by Russell Smith, writing for The Globe and Mail. In “You say KILLameeter, I say kil-OM-ater,” Smith suggests that “Anger over pronunciations usually hides a deeper anger at something else: the creeping influence of a culture or a class. It very much worries people when a common vulgarism or lower-class pronunciation becomes the accepted one.”

He may be right about this, as well as in his belief about the inevitability of the triumph of popular pronunciation due to the fact that “people with educations in language are far outnumbered by people without.” His pragmatic conclusion is that enforced pronunciation of kilometer is unlikely to further the cause of clear communication, so he declines to join the cause.

I understand the pragmatic point of view, but as a logophile, I also understand the distress over inconsistency and a loss of parallelism. Precision, like innocence, once abandoned is gone forever.

Categories: Words

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